I’ve decided to start a new feature highlighting artists that you may or may not know. If you do know, I applaud thee and you’re probably a friend of mine. If you don’t know, try, and then be my friend anyway.
For the first entry, I’m picking an artist that I’ve ran my mouth constantly about, but whose music is still moving me after hundreds of hours.
Describing Rose Elinor Dougall‘s music is easy, describing what it makes you feel is another thing entirely. I discovered Rose before I had heard any of her previous work with her old band, The Pipettes. I had heard of this band, but I had never given them a proper go until I heard this lady’s solo work which came upon the UK music scene wide in early-mid 2010. I found her by chance, when her debut record was mentioned on an internet forum and the description (pretty English girl pop) sounded tantalizing. Immediately, I was hooked on her voice and the only way I have come to describe it is a “female Morrissey”. Her southern English lilt and knack for coming up with the words to paint a picture in the listener’s mind is engrossing. Combined with her vocal prowess, it’s a recipe for musical sustenance that should last a very long time.
When I discover an act that I enjoy, I immediately start digging for more. I want to know how that artist came to where they are now, when they’re coming to my town, and what’s next. All three of these questions can be answered in respect to Rose Elinor Dougall, at least in regards to me.
Where: Rose is 24 years old and a quintessentially modern English girl. Born in London, raised in Brighton, Rose comes from a musical background. Her father and brother are both accomplished in their own rights, and this backbone is evident the moment you come into contact with her work. Unlike a lot of pop stars that are pushed down your throat, this is a young lady with taste and chops.
Whilst doing my digging on initial discovery, the first thing that jumped out was that she was a member of The Pipettes. Back around 2006, they were hyped up the wazoo, by both friends and UK music press. For some reason which boggles my mind, I didn’t give them a pass despite them wholly embracing big sounding 60’s era pop with 3 very talented and beautiful females at the forefront. Mental? Yea, I am a bit, thanks.
This is the first Pipettes song that jumped out at me which is soaring ballad with all 3 of the girls putting their best foot forward and Rose carrying the opening verse. According to my Last.FM, I have definitely been enjoying this song over the last 12 months. The Pipettes (who are still together with a different lineup), released one album, a couple of EPs, and a variety of one-offs, which are all excellent listening. Notably, The Pipettes appear on a track on Brakes‘ debut album. I mentioned this while speaking with Eamon Hamilton (lead singer/guitarist of Brakes) prior to his opening slot for British Sea Power a few months ago and how fond I was of the track. In 2008, Rose (as Rosay Pipette) left the group to pursue her own interests.
Finally, Rose begun to work on her own material. Her debut 7″, Another Version of Pop Song was released in December 2008, with more singles released in 2009. The debut record, Without Why, was released in August 2010 following appearances at SXSW and has received acclaim from various outlets. Since the release of her album, Rose has done some touring solo, as well as joining up with Mark Ronson with his band, Mark Ronson & The Business Int’l and has toured extensively. She is prominently featured on the LP Record Collection.
The male singer in this track is Alex Greenwald of Phantom Planet.
According to various outlets including herself, she is currently working on her follow-up LP with her band The Distractions, which will hopefully see light this year. I personally am very hopeful for a visit to New York City, as she is easily one of the top 3 on my list right now that I’d love to see headlining.
Some of her non-released yet material has been played live, if these tracks are any indication, we’re in for a blinder.